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Tradition · Bukhara

Shashmaqom and the maqom tradition

‘Six maqoms’ — a classical suite of instrumental and vocal music that took shape in Bukhara; joint UNESCO heritage of Uzbekistan and Tajikistan since 2008.

Bukhara1 min read

The six maqoms

Shashmaqom (Persian for ‘six maqoms’) is a body of classical melodies and songs bound together by mode, melody, rhythmic cycle and form, developed over centuries in the cities of Mawarannahr, with Bukhara as its historical and spiritual centre. The six maqoms are Buzruk, Rost, Navo, Dugoh, Segoh and Iroq. A performance usually opens with an instrumental introduction, followed by the nasr, the main vocal section. The accompaniment is tanbur, dutar, sato, g‘ijjak, nay and doira, and the songs set ghazals by Hafez, Navoi, Fuzuli and other poets.

Notation records only the skeleton, so maqom is still taught orally from master to student. UNESCO proclaimed it a Masterpiece in 2003 and inscribed it on the Representative List in 2008 (Uzbekistan and Tajikistan).

Other traditions, and today

Besides Shashmaqom, Uzbekistan has the Khorezm maqoms and the Fergana–Tashkent maqom paths, each with its own performing school. Performers train at the Tashkent Conservatory and in maqom ensembles. An International Maqom Art Forum is held under UNESCO patronage; the third took place in Andijan on 23–26 June 2026. To hear maqom live, watch concert listings, and in Bukhara look out for evening folklore programmes.

Sources (4)
  1. ich.unesco.org
  2. uz.wikipedia.org
  3. en.wikipedia.org
  4. ich.unesco.org

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